We find humour in contrasting leisure with disaster. Its bleak end is counterbalanced with a playful delivery. Cerulean blue waters glisten in the Californian sun with pool floaties languidly bobbing along an ever-flowing river of blood, and a Ferris wheel twinkles over a plane crash with no survivors. ![]() The trailer’s director, Denis Bodart, ECD of Feed Me Light, remarks, “We wanted to allude to the presence of zombies, without showing them outright and show the horrors that could happen in a quiet yet beautiful stillness.”ĭenis Bodart, working with the incredible art direction of Nadia Tzuo, fleshes out a realistic cinematic hell-scape, exploring the hidden beauty of gore. The trailer doesn't show viewers the cause of the chaos and so sparks both a natural curiosity about the events that were a precursor to it whilst also flaming our evolutionary desire and instincts to survive whatever lurks beyond our screens. We pan around ominous scenes of a ravaged LA, throughout which the quiet remnants of humanity still linger. ![]() Instead, filled with plenty of blood, gore and explosions to boot, the stunning visuals propel viewers into the aftermath of chaos and the potential to face even more. Surprisingly, it is devoid of undead creatures. The thrilling title sequence defies all expectations of a traditional zombie apocalypse trailer. ![]() The wait is finally over for Dead Island fans and the team at Feed Me Light couldn’t have been more chuffed to partner with Elastic to bring this piece for Dead Island 2 to life.
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